My projects and thematic research in ceramics gravitate towards the concept of imperfection, asymmetry and modesty.

 

Aspects of my work include roughness, irregularity and appreciation for the natural process of expression.

 

In that sense, I recognize and adopt the anomalies arising from the practice of hand-building, which add uniqueness, beauty and a particular character to my work.

 

My main tools are my hands, no electric wheel. I create my pieces with an old method of production that goes back to the X Century B.C.

 

And this gives me the opportunity to get intimate with the material.

 

For each piece, I think of a perception that transcends appearance, and go into the territory of feelings. I treat each of them like objects of art.